palmistry

Modern Palmistry 
It experienced a revival in the modern era starting with Captain Casimir Stanislas D'Arpentigny publication La Chirognomie in 1839.

 
The Chirological Society of Great Britain was founded in London by Katherine St Hill in 1889 with the stated aim to advance and systematise the art of palmistry and to prevent charlatans from abusing the art.[8] Edgar de Valcourt-Vermont (Comte de St Germain) founded the American Chirological Society in 1897.

A pivotal figure in the modern palmistry movement was the Irish William John Warner, known by his sobriquet, Cheiro. After studying under gurus in India he set up a palmistry practice in London and enjoyed a wide following of famous clients from around the world, including famous celebrities like Mark Twain, W. T. Stead, Sarah Bernhardt, Mata Hari, Oscar Wilde, Grover Cleveland, Thomas Edison, the Prince of Wales, General Kitchener, William Ewart Gladstone, and Joseph Chamberlain. So popular was Cheiro as a "Society Palmist" that even those who were not believers in the occult had their hands read by him. The skeptical Mark Twain wrote in Cheiro's visitor's book that he had "...exposed my character to me with humiliating accuracy."

Edward Heron-Allen, an English polymath, published various works including the 1883 book, Palmistry - A Manual of Cheirosophy which is still in print.[5][9] There were attempts at formulating some sort of scientific basis for the art, most notably in the 1900 publication “The Laws of Scientific Hand Reading" by William G. Benham.[10]


Chiromancy consists of the practice of evaluating a person's character or future life by "reading" the palm of that person's hand. Various "lines" ("heart line", "life line", etc.) and "mounts" (or bumps) (chirognomy) purportedly suggest interpretations by their relative sizes, qualities, and intersections. In some traditions, readers also examine characteristics of the fingers, fingernails, fingerprints, and palmar skin patterns (dermatoglyphics), skin texture and color, shape of the palm, and flexibility of the hand.

A reader usually begins by reading the person's 'dominant hand' (the hand he or she writes with or uses the most)(sometimes considered to represent the conscious mind, whereas the other hand is subconscious). In some traditions of palmistry, the other hand is believed to carry hereditary or family traits, or, depending on the palmist's cosmological beliefs, to convey information about past-life or karmic conditions.

The basic framework for "Classical" palmistry (the most widely taught and practiced tradition) is rooted in Greek mythology. Each area of the palm and fingers is related to a god or goddess, and the features of that area indicate the nature of the corresponding aspect of the subject. For example, the ring finger is associated with the Greek god Apollo; characteristics of the ring finger are tied to the subject's dealings with art, music, aesthetics, fame, wealth, and harmony.

Significance of the left and right hand
Though there are debates[by whom?] on which hand is better to read from, both have their own significance. It is custom[weasel words] to assume that the left hand shows potential in an individual, and the right shows realized personality. Some sayings about the significance include "The future is shown in the right, the past in the left"; "The left hand is the one we are born with, and the right is what we have made of it"; "The right hand is read for men, while the left is read for women"; "The left is what the gods give you, the right is what you do with it"; "The right hand is read for right-handed people, while the left is read for left-handed people"[citation needed]. The choice of hand to read is ultimately up to the instinct and experience of the practitioner.

Left The left hand is controlled by the right brain (pattern recognition, relationship understanding), reflects the inner person, the natural self, the anima, and the lateral thinking.
Right As opposites are, the right hand is controlled by the left brain (logic, reason, and language), reflects the outer person, objective self, influence of social environment, education, and experience. It represents linear thinking